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An
Above-Average Bond |
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Fans'
Devotion To Band Forges Long Friendship |
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The Washington Post -
Washington, D.C. |
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Author: |
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Date:
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Copyright The Washington Post Company Mar 23, 2003 They met 14 years ago at an Average White Band concert
at Carter Baron Amphitheater -- the paralegal and volunteer basketball coach
from Bowie and the salesman and rock band bass guitarist from Winchester.
Since then, they have forged a deep and abiding friendship based on, well,
partying to AWB music. They live 120 miles apart, but they get together regularly
to eat a little food, drink a little beer, talk a little sports and share all
the latest information and memorabilia about their favorite band. They have
attended dozens of concerts together, following the '70s rhythm and blues
band from Blues Alley in downtown Washington to Pier One in Baltimore. They have rung in New Year's Eve with members of the
band and are fixtures at every concert. Together, they have amassed two of
what they believe to be the largest collections of AWB memorabilia in the
area, including everything from guitar picks used by original members Alan
Gorrie and Onnie McIntyre to rare, live recordings and band-autographed
replicas of the flag of Scotland, the homeland of the band's founders. "I think anymore when they come to town, AWB
unpacks their stuff then looks for us," said Kelly Dorsey, 40, of
Winchester. "We haven't really missed a show together locally since we
met at a concert in 1989. The friendship grew from there." Indeed, Dorsey, the father of two sons, and Timothy Nixon,
40, the father of a son and daughter, are recognized by the band. At a
Valentine's Day concert at the Birchmere nightclub in Alexandria, band
members greeted Nixon by name during a meet-and-greet after the show. Dorsey
and Nixon, who each took one of their children to the show, shook hands and
chatted with band members like they were old friends. "We see these guys at every concert,"
McIntyre, the band's rhythm guitarist, said of the twosome. The crowd also included fan David Ramey, 38, of Capitol
Heights, who took his wife, Lisa, to see the band for their Valentine's Day
celebration. Ramey, who works for FedEx Corp., showed off a three- inch
tattoo on his right calf with AWB's legendary logo of the woman's nude
derriere in the center of his wife's initials. "I bet they've never seen their logo on a tattoo on
anybody!" Ramey said. "I bled for this group!" From the moment the band took the stage with a musical
tribute to legendary saxophone player Maceo Parker called "Oh,
Maceo," from their newest CD, Face to Face, until the show ended with an
Isley Brothers remake of "Work to Do," fans clogged the dance
floor. Love songs "A Love of Your Own" and "Cloudy" sent
lovers into deep clenches. The '70s anthem "Pick Up the Pieces"
brought ear- splitting screams as sax man Fred Vidgor, known as Freddie V,
thrilled the crowd with vein-swelling riffs that brought him to his knees and
sent fans through the roof. "We love coming to D.C.," McIntyre said in an
interview. "They are the best fans in the world." After the show, McIntyre presented Alicia Nixon, 4, who
already knows the lyrics to many of AWB's songs, with his guitar pick. AWB
drummer Brian Dunne gave Tyler Dorsey, 12, a budding bass guitarist, an
autographed drumstick. Nixon, a paralegal for the Department of Veterans
Affairs, and Dorsey, who lives in a rural area outside Winchester, were
sitting next to each other at an AWB concert at Carter Baron in 1989 when the
band took to the stage for the first time since breaking up in the early
'80s. The crowd was expecting AWB to break out the hits from the early 1970s,
such as "If I Ever Lose this Heaven," "Cloudy" and,
perhaps their most famous tune, "Pick Up the Pieces," which,
according to Dorsey, "rests eternally forever at the zenith of '70s pop
culture." Instead, the band, which included several new members, tried
some new songs. "It got pretty ugly," Nixon said. "The
crowd was not happy. There was almost a riot in there." "They ended up playing some of the classic
stuff," Dorsey said. "And things got better, but people really want
to hear the old songs when they go see these guys." They have attended almost every local AWB show since
then. Each outing is perfectly choreographed: They arrive at each venue hours
early, staking out a table near the bandstand or stage. They carefully choose
a spot near the stage from which "to get the maximum satisfaction from
the performance," Nixon said. "Hey-ayyy!" Nixon shouted at the Birchmere
show Feb. 15, leaning back and pumping his arms in a unique dance described
by one friend as "his two-fisted funk salute" as the band broke
into "I'm the One," one of their fans' favorites. Nearby, Dorsey sang and clapped. "There it
is!" he yelled as McIntyre hit the first strains of "If I Ever Lose
This Heaven." Nearby, Alvin Pierce, 40-something, of Baltimore, danced
along. Pierce is among a group of friends that Nixon and Dorsey have met
during their sojourns to AWB concerts. "We see each other at all of the
concerts," said Pierce, a personal clothier and image consultant. Before
the concert, the three huddled over beers and discussed the newest AWB
release in record stores, a DVD titled "Tonight: The Average White Band
in Concert," recorded at the House of Blues in Los Angeles. They also reminisced about the first time they heard the
band. Nixon was a student at Banneker Jr. High School when a friend played
him "Pick Up the Pieces" after school one day. "It was off the
hook," Nixon said. "And I've been hooked ever since." Dorsey was on vacation with his family in Nag's Head,
N.C., when he heard the cut playing on AM radio as he lay floating in the
hotel pool. "I was only about 14. I just loving that song and not being
able to believe how good it sounded. I remember for the rest of my vacation
waiting for the next time it would play on the radio." Pierce was a student at the University of Maryland when
a friend turned him on to AWB. "I went right out to get the album,"
he said. "To my surprise, they were a bunch of white guys. I couldn't
believe it!" AWB stormed onto the rhythm and blues scene in the early
'70s at a time when R&B ruled urban radio. Their brand of blue-eyed soul
took the United States by storm, and their popularity soared. AWB music was a
staple on television, in clubs and on the radio, along with such bands as Parliament,
Earth, Wind & Fire, the Commodores, Rufus featuring Chaka Khan and the
Isley Brothers. The band had seven consecutive gold or platinum albums
in the 1970s and were popular on the R&B concert circuit, delighting
often majority-black audiences with their deep Scottish brogue and soulful
sound. It has been more than 25 years since AWB scored a hit
record, but that doesn't matter to the band's local fans. Most of their shows
sell out when they travel to the Washington area, one of their favorite stops,
band members said. The sold-out shows over the Valentine's Day weekend came
as a foot of snow was predicted and the country had been put on heightened
alert for terrorist attacks. "There just isn't anybody out there like
them," said Nixon, who has erected an AWB "shrine on the
subterranean level" of his Bowie home, including a framed giant Scottish
flag autographed by AWB members, framed concert T-shirts and a host of
posters, pictures and memorabilia. On a recent Saturday, Nixon and Dorsey showed off their
collections in Nixon's basement. There were Dorsey's albums, each in perfect
condition, lined up in order from "Show Your Hand," in 1973, which
wasn't originally released in the United States, to an autographed copy of
the band's Grammy-nominated "White Album," to the newest CD,
"Face to Face." There were copies of Nixon's ticket stubs to the various
concerts and pictures of him with members of the band. There were T-shirts
and cups and magazine covers and framed posters traded with other AWB fans or
purchased at shows or on E-bay. "I've given him the basement," said Karla
Nixon, whose first dance with her husband was to AWB's classic slow song
"A Love of Your Own." "He can do whatever he wants down there. He listens
to his music so loud, we've hooked a strobe light to the doorbell so we can
know if someone is coming. Otherwise, he wouldn't hear it. He listens to them
all the time." Reproduced with
permission of the copyright owner. Further reproduction or distribution is
prohibited without permission. |
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